Friday, February 22, 2019
Belonging Essay – the Crucible
Some people will go to unusual lengths to achieve a sense of be whether it to be a group, gardening or city, some people will try anything. Techniques such as full point heraldic bearings, hamartia, and dialogue atomic number 18 utilize in the set school textbook edition Arthur milling machines The crucible to display belonging and not belonging. separate proficiencys such as symbol and television camera flavour ar apply to exhibit belonging and not belonging in the supplementary text Your Favorite Martians robot spot Song lead clip.In Arthur moth millers The melting pot, stage direction is apply to demonstrate belonging and not belonging. This technique is use passim the text to show both belonging and not belonging, stage direction shows the audience, what the characters are doing, such as their movements and emotions abtaboo what has happened. Without stage direction the characters would appear silent and with a blank face. Examples of this technique can b e seen throughout the text, however only some demonstrate belonging or not belonging.An typesetters case of when it is demonstrating not belonging is in the first scene of Act champion when Tituba is about to talk, in parentheses it ordains that she is already moving backward, like she already k presentlys she isnt wanted. Another example of how stage direction is utilise is when Abigail and tail are al ace to recoverher, in Bettys room. In the beginning the stage direction leads us to believe that they belong together, then(prenominal) it quickly turns around and it is explicit that they do not through the use of stage direction. These examples are how stage direction is used to demonstrate belonging and not belonging in Arthur Millers The Crucible.Hamartia is used in Arthur Millers The Crucible to reveal not belonging. This technique is used throughout act one and two to show that John Proctor doesnt belong with Abigail, hamartia shows the audience the fatal flaw within J ohns personality that consequences in him not belonging. An example of how hamartia is used to reveal not belonging is overly when John and Abigail are alone together. Johns flaw is that he has lusted after Abigail, and because of this he now tinctures like he doesnt belong with either his wife or Abigail.This is apparent as he shys away from Abigail when she tries to get constrictiver. Another example is when he is at home with his wife and corking away we can tell that they do not feel at ease with severally other because of his lust for Abigail. These examples are how Hamartia is used to reveal not belonging in Arthur Millers The Crucible. In Arthur Millers The Crucible, dialogue is used to break dance belonging and not belonging. This technique is obvious through the entire text as this is what and how people talk to each other.Dialogue shows the audience how the characters feel about each other through their words and particularly how they say them. An example of how dial ogue exposes not belonging is also when Tituba is first speaking, Parris yells at her protrude of here and she says something back then he yells again Out of my Sight Out of my . The next example of how Dialogue exposes belonging is also when john and Abigail is alone. The dialogue of the two characters highlight their belonging together, when only tone at what their saying.They stop belonging together when he says child then an argument starts which displays a sense of not belonging. These examples are how Dialogue is used to expose not belonging in Arthur Millers The Crucible. Symbolism is used in Your Favorite Martians Zombie Love Song picture palace clip to display belonging. This technique is preponderating in the middle of the text when the two characters are chatting online. Symbolism shows the audience, when referring to this text, how the characters interact with each other before they actually meet in person.Examples of this technique can be found when the characters are chatting online, the use of hearts to defend love is evident. Another symbol is when they use themselves as emoticons and dance with each other, this symbolises that they can be together when one character is not unconstipated breathing. Also there is another example of symbolism is when, while chatting online, the snake god is chasing two people and then stopped when seeing the girlfriend, and then gives her a flower which turns her into a zombie which symbolises that they should be together.These examples are how symbolism represents belonging in the supplementary text Zombie Love Song In Your Favorite Martians Zombie Love Song film clip camera shots are used to present not belonging. This technique is used throughout the text but does not present not belonging until later in the text. Camera shot shows the audience what is happening, without square-toed camera shot the audience could miss out what is happening, but since this is a cartoon it has perfect camera shot. Not belonging that is presented by camera shot is given by examples when the female character is running away.When she opens the gate to find a zombie, the camera is zooming in to give a close up of the zombies face when it smiles, the camera goes back to the girls face when she screams and runs away. While she is running away the camera zooms out from a mid-shot to a long shot to emphasise how far and stiff she is running away. She runs to the back door and the zombie is there, the process is repeated double to emphasise how much the zombie doesnt belong. These examples are how camera shot represents not belonging in the supplementary text Zombie Love Song.In conclusion belonging and not belonging is be in various ways in many different texts. vary techniques are used to represent the belonging and not belonging. In Arthur Millers The Crucible Stage direction and dialogue are the chief(prenominal) technique used while hamartia is hardly used, only with one character and mainly on ly in the first two acts. In Your Favorite Martians Zombie Love Song symbolism is more predominant than camera shot in representing belonging or not belonging.
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