Painting and Writing with Magical Realism :: Literature Essays Literary Criticism

Painting and Writing with magic reality The term Magical Realism appoints an artistic sprint of painting and writing. In these paintings and novels the composer interweaves, in an ever-shifting pattern, a sapiently etched Realism in representing ordinary events and descriptive details in concert with fantastic and dreamlike elements (Abrams). Some of the Magical Realism writers are express to be Gabriel Garcia Marques in Columbia, Gunter Grass in Germany, and John Fowls in England. cause the history and theory of Magical Realism will help explicate the meaning of the term. No one can really say who coined the parlance Magical Realism, but some say that in 1925 to champion a new-sprung(prenominal) direction in painting, Franz Roh originated the term Magical Realism to characterize this paintings egress to Realism after Expressionisms more abstract style (Zamora and Faris 15). This art style was also first used after World War I. Franz Roh at first called this new style of painting Post-Expressionism, but changed it later to Magical Realism because he knew that the work had to have a name that meant something, and the account book Post-Expressionism only indicated ancestry and chronological relationship (Roh). Roh says that he uses the word magic or else of mystic because the mystery does not descend to the represented world, but rather hides and palpates fundament it. At the same time that Roh came up with the term Magical Realism, a museum director named Gustav Hartlaub called this new art style raw(a) Objectivity. The word New Objectivity over took Rohs title for the art style until 1960 when it was used to describe the art style of that time in art history. Angel Flores exponent argue that he coined the term Magical Realism in 1935 after he evidence Jorge Luis Borges book A Universal History of Infamy, but he was very the first one to give the name to books not just paintings. It is unuttered to check at times what is Magical Realism and what is not, but on that point are many characteristics inside Magical Realism that helps us to decide what is. One of the characteristics is that we recognize this world, although now- not only because we have emerged from a dream- we locution on it with new eyes (Roh). The artist achieves this characteristic by the conjugation of reality and fantasy (Leal). However, in Magical Realism both the lecturer and characters of the novel must accept the unreal as real.